Shared infrastructure for local music — designed to grow without being captured.
To make local music ecosystems incredible everywhere. We want more people to have more music in their lives, and that requires healthier, more resilient local music ecosystems.
To achieve this, we provide infrastructure that connects everyone who loves, relies on, or creates local music. This includes the physical spaces we see—like venues and rehearsal rooms—and the digital systems we don’t—like discovery mechanisms, funding models, and shared data. We exist to strengthen both, ensuring they remain open, accessible, and community-driven.
Our work is grounded in real-world application. We are currently working with the Buckinghamshire (Bucks) Music Ecosystem on our first live prototype, both online and on the ground.
Bucks is our proof of concept. Everything developed there is designed to be reusable, adaptable, and open for other local music ecosystems to adopt.
The Bucks prototype is the first home for the shared assets we steward. Over time, the Trust will hold the essential "plumbing" required for any local music scene to thrive:
None of these tools are intended to become unavoidable. They are designed to be useful, not mandatory.
Common Trust for Music exists to steward shared infrastructure. We do this by:
We assume that success creates the risk of corruption. So, we design to prevent that risk early.
We have taken this approach very deliberately to avoid a common problem. When shared infrastructure works, it tends to be captured. Tools that start out helping artists and audiences too often become closed platforms. They eventually extract value, lock users in, and quietly change the rules once the community depends on them.
This pattern isn’t about bad intentions. It’s about incentives, power without constraints, and the pressure to prioritize profit over the ecosystem.
Culture depends on infrastructure. The tools we use to find, book, and fund music determine whether a local scene thrives or withers. Infrastructure shapes incentives, and incentives determine outcomes.
If we want incredible local music ecosystems everywhere, we need institutions that:
Common Trust for Music is an experiment in building exactly that.